Nepalese musical instrument has a very strong relationship with Nepalese culture and religion. Nepal has a lot more tunes and rhythms of its own to share with the rest of the world. The musical traditions of Nepal are as diverse as the various ethnic groups of the country. The most complex musical culture in the Himalayas is that of the “Newars“ in the Kathmandu valley and the “Damai” in the other part of Nepal, which in the course of the past 2000 years has absorbed mostly Indian influences in shaping a unique musical tradition. In Nepal music has been flourished by mainly these two groups of people. Newar’s culture flourished during the late Malla dynasty from the 15th century up to the 18th century. The Malla kings of Kathmandu, Patan and Bhaktapur were devoted patrons of the arts and competed with one another in the beautification and cultural achievements of their kingdoms. Many of these Malla kings themselves excelled as musicians, dancers, poets and town planners. The Newars live in a Buddhist-Hindu area where the two religions coexist along with a strong influence of Tantric practices and local traditional cults. In the complex Newar caste system both Hindus and Buddhists have found their place. Many of these castes perform their own characteristic musical repertory and ritual duties during festivals and processions. Newar music and dance are always related to ritual and locality. A portion of Newar music is secretly performed during esoteric rites. Bhaktapur, a Newar farmers’ town at the eastern part of the Kathmandu valley has been able so far to preserve its traditional heritage. In 1989 there were still more than 200 music and dance groups performing regularly. With the influx of tourism and western and far eastern technologies this picture changes rapidly. It is conceivable that these living cultural treasures may vanish within one generation. For the future there needs to be an effective method for the preservation of traditional music and danc -
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